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香港六合彩 School of Slavonic and East European Studies (SSEES)

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Dr Barbara Wyllie

Managing听Editor of Slavonic and East European Review (SEER)


Barbara Wyllie read English at Cambridge and then took a Master鈥檚 in Russian Literature at SSEES, where she went on to study for a PhD on Nabokov. She began working on the Slavonic and East European Review in October 2000 while continuing to write on Nabokov. Her first monograph, Nabokov at the Movies: Film Perspectives in Fiction, was published in 2003, and she has also contributed to Liza Zunshine鈥檚 Nabokov at the Limits: Redrawing Critical Boundaries, Stephen Kellman and Irving Malin鈥檚 Torpid Smoke: The Stories of Vladimir Nabokov and Yuri Leving鈥檚 Shades of Laura: Vladimir Nabokov鈥檚 Last Novel, 鈥楾he Original of Laura鈥, as well as The Reference Guide to Russian Literature, The Cambridge Companion to Nabokov and the Wiley/Blackwell Companion to Twentieth-Century United States Fiction. Her most recent book is an illustrated literary biography for Reaktion鈥檚 Critical Lives series.听In February 2015 she was invited to become an Associate Editor of the Nabokov Online Journal (NOJ), and in July 2017 co-organized and presented at a British Library conference, 鈥樷.听Her wider research interests are in Russian and American literature, cinema and music.


Qualifications

PhD, 鈥淎 Study of the Work of Vladimir Nabokov in the Context of Contemporary American Fiction and Film鈥, 香港六合彩, 2000
MA Russian Studies (Literature), University of London, 1995
BA (English Literature), University of Cambridge, 1989

笔耻产濒颈肠补迟颈辞苍蝉听

Books:

Articles and Chapters:

  • 鈥楴abokov鈥檚 Cinematic Sensibility and Film Strategy in The Defense鈥, Slavonic and East European Review, 101, 4, 2023, pp. 626-69, 顿翱滨:听




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  • 鈥榁ladimir Nabokov鈥, in D. Seed (ed.), A Companion to Twentieth-Century United States Fiction (Chichester: Wiley/Blackwell, 2009).
  • 鈥楴abokov and Cinema鈥, in J. Connolly (ed.), The Cambridge Companion to Nabokov (Cambridge and New York: Cambridge University Press, 2005).
  • 鈥楾he Original of Laura鈥; 鈥楲ook at the Harlequins!鈥; 鈥楾ransparent Things鈥; 鈥業nvitation to a Beheading鈥; 鈥楰ing, Queen, Knave鈥; 鈥楾he Return of Chorb鈥, in The Literary Encyclopedia (, 2005鈥2010).
  • 鈥楨xperiments in Perspective: Cinematics in Nabokov鈥檚 Russian Fiction鈥, New Zealand Slavonic Journal, 36, 2002.
  • 鈥楶opular Music in Nabokov鈥檚 Lolita, or Frankie and Johnny: A New Key to Lolita?鈥, in Revue des 茅tudes slaves, 70, 2000, 3鈥4: 鈥榁ladimir Nabokov dans le miroir du XXe si猫cle鈥.
  • 鈥楳emory and Dream in Nabokov鈥檚 Short Fiction鈥, in S. G. Kellman and I. Malin (eds), Torpid Smoke: The Stories of Vladimir Nabokov (Atlanta, GA and Amsterdam: Rodopi, 2000).
  • 鈥楻esonances of Popular Music in Lolita, Pale Fire and Ada鈥, in L. Zunshine (ed.), Nabokov at the Limits: Redrawing Critical Boundaries (New York: Garland Publishing, 1999).
  • 鈥楾he Return of Chorb鈥, 鈥楳ary鈥, 鈥業nvitation to a Beheading鈥, in N. Cornwell (ed.), Reference Guide to Russian Literature (London: Fitzroy Dearborn, 1998).