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2018
Hur,Y-J., Gerger,G., Leder,H., McManus,I.C. (2018) Facing the sublime: Physiological correlates of the relationship between fear and the sublime, Psychology of Aesthetics, Creativity and the Arts,
Chamberlain,R., Brunswick,N., Siev,S. and McManus,I.C. (2018) Meta-analytic findings reveal lower means but higher variances in visuospatial ability in dyslexia, , 109(4), 897-916.
2017
Page,A.L., McManus,I.C., González,C.P. and Chahboun,C. (2017) Frontiers in Psychology, 03 August 2017 |
Chahboun,S., Flumini,A, Peréz-González,C., McManus,I.C. and Santiago,J. (2017) Reading and writing direction effects on the aesthetic appreciation of photographs, Laterality: 22(3), 313-339.Rankin,Q., Riley,H., Brunswick,N., McManus,I.C. and Chamberlain,R. (2017) Talking the line: Inclusive strategies for the teaching of drawing, Drawing: Research, Theory, Practice, 2: 287-304
Hur,Y.-J. and McManus,I.C. (2017) Physics of Life Reviews, 21 (July 2017), 135-137
2016
J. Abeln, L. Fresz, S. A. Amirshahi, I. C. McManus, M. Koch, H. Kreysa, and C. Redies (2016) Preference for well-balanced saliency in details cropped from photographs Frontiers in Human Neuroscience 9:704 doi: 10.3389/fnhum.2015.00704
2015
R. Chamberlain, I. C. McManus, N. Brunswick, Q. Rankin, and H. Riley (2015). .Ìý Psychology of Aesthetics, Creativity and the Arts, 9(4), 451-462.Ìý
2014
R. Chamberlain, I. C. McManus, N. Brunswick, Q. Rankin, H. Riley, and R. Kanai (2014). Drawing on the right side of the brain: a voxel-based morphometry analysis of observational drawing. NeuroImage 96:167-173.
R. Chamberlain, I. C. McManus, H. Riley, and Q. Rankin. Cain's House Task Revisited and Revived: Extending Theory and Methodology for Quantifying Drawing Accuracy (2014). Psychology of Aesthetics, Creativity and the Arts 8 (2):152-167.
I. C. McManus and K. Stöver (2014) 'Mute, motionless, variegated rectangles': aesthetics and photography. In: The Cambridge Handbook of the Psychology of Aesthetics and the Arts, edited by P. P. L. Tinio and J. K. Smith, Cambridge:Cambridge University Press, p. 243-276.
2013
I. C. McManus. (2013) iMAP and iMAP2 produce erroneous statistical maps of eye-movement differences Perception 42 (10):1075-1084.
Chamberlain, R., McManus, I.C., Riley,H., Rankin, Q. and Brunswick, N. (2013) Local Processing Enhancements Associated with Superior Observational Drawing are Due to Enhanced Perceptual Functioning, not Weak Central Coherence. Quarterly Journal of Experimental Psychology, 66(7):1448-1466.
McManus,I.C., Wu,Wen (2013), Psychology of Aesthetics, Creativity and the Arts, 7(2), 130-139, 2013.Ìý
McManus,I.C. (2013) "The anti-developmental, the anti-narrative, the anti-historical": Mondrian as a paradigmatic artist for empirical aesthetics. Behavioral and Brain Sciences 36 (2):152-153.
2012
McManus, I.C., Chamberlain, R., Christopherson, C., Prince-Mobbs, L., Roinson, M. and Stelk, I. (2012) Six tea-towels, one calendar and 1659 children's self-portraits: A developmental study of children drawing faces.Ìý Poster presented at ECVP, Algherro, Sardinia, September 2012.Ìý
Chamberlain, R, Riley, H., McManus, I.C., Rankin, Q. and Brunswick, N. (2012) The perceptual foundations of drawing ability, Paper presented at the , October 2011.
2011
Suitner, C, and McManus, I.C. (2011) Aesthetic asymmetries, spatial agency, and art history: A social psychological perspective, pp 277-301 in , edited by Thomas W Schubert and Anne Maas, Berlin: De Gruyter Mouton.
McManus, I.C. (2011)Â 'Beauty is instinctive feeling': Experimenting on aesthetics and art, pp.169-189Â in , edited by Elizabeth Schellekens and Peter Goldie, Oxford University Press.
McManus, I.C., Stöever, K. and Kim, Do. (2011) , i-Perception 2(6) 615-647. Note: Due to an error at the proof stage, figure 3 has the correct caption but the wrong image. Click here for the correct image.
McManus, I.C., Zhou, A., I'Anson, S., Waterfield, L., Stöver, K. and Cook, R. (2011) . Perception 40:332-357, 2011.
McManus,I.C. in the online journal Cultor.ÌýÂ (An Italian translation of McManus, I. C. (2005). Symmetry and asymmetry in aesthetics and the arts. European Review, 13 (Supplement 2), 157-180).
McManus,I.C, Loo,P-W., Chamberlain,R., Riley,H. and Brunswick,N.Ìý , Empirical Studies of the Arts, 29: 191-208.
H. Riley, N. Brunswick, R. Chamberlain, I. C. McManus, and Q. Rankin. Inclusive practice: Research the relationship between mathematical ability and drawing ability in art students, London: RCA, 2011:Include 2011 Proceedings (available at ), 2011.
McManus, I.C., Jonvik, H., Richards,P. and Paice. E. (2011) . BMC Medicine 9:100 ().
2010
McManus, I.C. and Furnham,A. (2010) 'Fun, fun, fun': Types of fun, attitudes to fun, and their relation to personality and biographical factors, Psychology, 1: 159-168
McManus,I.C., Cook,R. and Hunt, A. Beyond the Golden Section and normative Aesthetics: Why do individuals differ so much in their aesthetic preferences for rectangles? Psychology of Aesthetics, Creativity and the Arts, 4: 113-126.
McManus, I. C., Chamberlain, R., Loo, P-W., Rankin, Q., Riley, H., Brunswick, N. (2010) Art students who cannot draw: Exploring the relations between drawing ability, visual memory, accuracy of copying, and dyslexia, Psychology of Aesthetics, Creativity and the Arts, 4: 18-30.
2009
McManus,I.C. (2009) Beauty, The Psychologist, November 2009, p.923. See also .
2008
McManus, I. C. (2008). Charles Dickens: A neglected diagnosis. Dickens Quarterly, 25, 98-106.
2007
McManus, I. C. & Thomas, P. (2007). Eye-centring in portraits: a theoretical and empirical evaluation. Perception, 36, 167-182.
Swami, V., Grant, N., Furnham, A., & McManus, I. C. (2007). Perfectly formed? The effect of manipulating the waist-to-hip ratios of famous paintings and sculptures. Imagination, Cognition and Personality, 27, 47-62.
2006
McManus, I. C. (2006). Measuring the culture of C P Snow's Two Cultures. Empirical Studies of the Arts, 24, 219-227.
McManus, I. C. & Furnham, A. (2006). Aesthetic activities and aesthetic attitudes: Influences of education, background and personality on interest and involvement in the arts. British Journal of Psychology, 97, 555-587.
2005
McManus, I. C. (2005). Symmetry and asymmetry in aesthetics and the arts. European Review, 13 (Supplement 2), 157-180. [1.13 MB pdf]
2004
McManus, I. C. (2004). Right-left and the scrotum in Greek sculpture. Laterality, 9, 189-199.
McManus, I. C., Buckman, J., & Woolley, E. (2004). Is light in pictures presumed to come from the left side? Perception, 33, 1421-1436.
McManus, I. C. & Drury, H. (2004). The handedness of Leonardo da Vinci: a tale of the complexities of lateralisation. Brain and Cognition, 55, 262-268.
2001
McManus, I. C. (2001). Charles Dickens: A neglected diagnosis? Lancet, 358, 2158-2161.
1999
McManus, I. C. (1999). Colour word usage within languages follows the Berlin and Kay ordering [Commentary]. Behavioral and Brain Sciences, 22, 724.
McManus, I. C. (1999). The eye captures... Current Biology, 9, R390-R391.
McManus, I. C. (1999). Humphrey, N. 'Cave art, autism, and the evolution of the human mind' [Commentary]. Journal of Consciousness Studies, 6, 133-134.
1998
McManus, I. C. (1998). Humphrey, N. 'Cave art, autism, and the evolution of the human mind' [Commentary]. Cambridge Archaeological Journal, 8, 183-184.
1997
McManus, I. C. (1997). A monochrome view of colour [Commentary]. Behavioral and Brain Sciences, 20, 204.
McManus, I. C. (1997). Half a million basic colour words: Berlin and Kay and the usage of colour words in literature and science. Perception, 26, 367-370.
McManus, I. C. (1997). Lifeline. Lancet, 349, 1922.
McManus, I. C. (1997). Physician-poets. Lancet, 349, 655.
McManus, I. C. & Weatherby, P. (1997). The golden section and the aesthetics of form and composition: a cognitive model. Empirical Studies of the Arts, 15, 209-232. [1.99 MB pdf]
1995
McManus, I. C. (1995). Humanity and the medical humanities. Lancet, 346, 1143-1145.
McManus, I. C. & Kitson, C. M. (1995). Compositional geometry in pictures. Empirical Studies of the Arts, 13, 73-94.[2.2Mb]
1994
McManus, I. C. (1994). Department of theatrical medicine? [Editorial]. Lancet, 344, 767.
1993
Douse, N. A. & McManus, I. C. (1993). The personality of fantasy game players. British Journal of Psychology, 84, 505-509.
McManus, I. C., Cheema, B., & Stoker, J. (1993). The aesthetics of composition: a study of Mondrian. Empirical Studies of the Arts, 11, 83-94.
1985
 McManus, I. C., Edmondson, D., & Rodger, J. (1985). Balance in pictures. British Journal of Psychology, 76, 311-324.
1984
McManus, I. C. (1984). In defence of poesie. St. Mary's Gazette, 90, 14-15.
1983
McManus, I. C. (1983). Basic colour terms in literature. Language and Speech, 26, 247-252.
1981
McManus, I. C. (1981). Book reviews [Review of the book Perception of pictures vol 1: Alberti's window - the projective model of pictorial information]. British Journal of Psychology, 72, 514-515.
McManus, I. C., Jones, A. L., & Cottrell, J. (1981). The aesthetics of colour. Perception, 10, 651-666. [1.54 MB pdf]
1980
McManus, I. C. (1980). The aesthetics of simple figures. British Journal of Psychology, 71, 505-524.
1978
Hedgecoe, J., Tresidder, J. & Platt, J. (1978). The art of colour photography [Scientific consultant]. London: Mitchell Beazley.
1976
McManus, I. C. (1976). Scrotal asymmetry in man and in ancient sculpture. Nature, 259, 426. [1.67 MB pdf]
1975
Blount, P., Holmes, J., Rodger, J., Coltheart, M., & McManus, I. C. (1975). On the ability to discriminate original from mirror-image reproductions of works of art. Perception, 4, 385-389.
McManus, I. C. (1975). Life expectation of Italian renaissance artists. Lancet, 305, 266-267.
1973
Humphrey, N. K. & McManus, I. C. (1973). Status and the left cheek. New Scientist, 59, 437-439.
McManus, I. C. & Humphrey, N. K. (1973). Turning the left cheek. Nature, 243, 271-272.
1972
McManus, I. C. (1972). An experimental analysis of aesthetic responses of human subjects to rectangles. (Unpublished BA thesis, University of Cambridge). [2.07 MB pdf]