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Email: m.beaumont@ucl.ac.uk External phone: 020 7679 2567 Internal phone: 32567 Office: Foster Court 129B Ìý Ìý

Education and ExperienceÌý

Matthew Beaumont studied English at LMH, Oxford, before doing an MSt and DPhil at Linacre College, Oxford. He was a Research Fellow at Keble College, Oxford, and a Teaching Fellow at Pembroke College, Oxford, before becomingÌýmoving to Ïã¸ÛÁùºÏ²ÊÌýas a Lecturer in 2005. He became a Senior Lecturer in 2008 and a Professor of English Literature in 2016. HeÌýis also a Co-Director of Ïã¸ÛÁùºÏ²Ê's Urban Lab, where heÌýis responsible for the Cities Imaginaries strand.

His teaching interests include nineteenth-century literature; the fin de siècle; early modernism; C20 avant-gardes; film; crime fiction; utopian and dystopian literature; and Marxist and other literary and cultural theories.

Research Interests

Matthew's research interests centre on various aspects of the metropolitan city, especially London. He is currently writing a history of literature about London for Cambridge University Press. He is alsoÌýworking on a book-length project about the role of insomnia in nineteenth and twentieth-century literature, painting and philosophy.Ìý

His most recent books areÌýThe Walker: On Losing and Finding Oneself in the Modern City (Verso, 2020), a series of chapters on writers including Chesterton, Dickens, Ford, Wells and Woolf, all of whom have placed the experience of walking in the metropolis at the centre of their attempts to understand and represent modernity; and Lev Shestov: Philosopher of the Sleepless Night (Bloomsbury, 2020), a book that revives the reputation of a neglected early twentieth-century Russian thinker by placing him in dialogue with Adorno, Benjamin, Deleuze and other continental philosophers.

Books

Matthew Beaumont, How We Walk: Frantz Fanon and the Politics of the Body (London: Verso, 2024), xii + 212pp.
The Walker: On Losing and Finding Oneself in the Modern CityÌý(Verso, 2020)
Lev Shestov: Philosopher of the Sleepless Night (Bloomsbury, 2020)
(Verso, 2015)
The Spectre of Utopia: Utopian and Science Fictions at the Fin de Siècle (Peter Lang, 2012)
Utopia Ltd.: Ideologies of Social Dreaming in England, 1870-1900, 2nd edition (Haymarket, 2009)
with Terry Eagleton, The Task of the Critic: Terry Eagleton in Dialogue (Verso, 2009)

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co-ed. with Matthew Ingleby, G.K. Chesterton, London and Modernity (Bloomsbury Academic, 2013)
co-ed. with Gregory Dart, Restless Cities (Verso, 2010)
ed., A Concise Companion to Realism, second edition (Blackwell,
2010)
co-ed. with Andrew Hemingway, Esther Leslie and John Roberts, As Radical as Reality Itself: Essays on Marxism and Art for the 21st Century (Peter Lang, 2007)
co-ed., with Michael Freeman, The Railway and Modernity: Time, Space, and the Machine Ensemble (Peter Lang, 2007)

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Editions

ed. with Introduction, H.G. Wells, The Invisible Man (Oxford World’s Classics, 2017)
ed. with Introduction, G.K. Chesterton, The Man Who Was Thursday (Penguin Classics, 2011)
ed. with Introduction, Walter Pater, Studies in the History of the Renaissance (Oxford World’s Classics, 2010)
ed. with Introduction, Edward Bellamy, Looking Backward (Oxford World’s Classics, 2007)
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RecentÌýArticles and Chapters

‘Utopian Fiction: News from Nowhere,’ in The Cambridge Companion to William Morris, ed. Marcus Waithe (Cambridge: Cambridge University Press, 2024), pp. 135-46

‘Polyform Film: Peter Watkins and the Paris Commune,’ Quarterly Review of Film and Video (2022), pp. 1-26

‘Standing Upright, Unsleeping: Sleeplessness, Wakefulness and Watchfulness in Prometheus Bound,’ Textual Practice 36 (2022), pp. 116-42Ìý

‘The Late Nineteenth Century (1848-1899),’ in The Palgrave Handbook of Utopian and Dystopian Literatures, ed. Peter Marks, Jennifer A. Wagner-Lawlor and Fátima Vieira (Basingstoke: Palgrave Macmillan, 2022), pp. 125-134

‘A Psychonanalysis of Milk: The Case of Alfred Hitchcock,’ Critical Quarterly 63 (2021), pp. 50-79

‘Reason Dazzled: The All-Seeing and the Unseeing in Turner’sÌýRegulus,’ÌýBritish Art StudiesÌý15 (2020), 30pp.Ìý

‘Insomnia and the Late Nineteenth-Century Insomniac: The Case of Albert Kimball,’ÌýInterface FocusÌý(The Royal Society) 10 (2020), 8pp. (double-columned)Ìý

‘Looking through Lidless Eyes: Friedrich, Kleist and the Logic of Sensation,’ÌýAngelaki: A Theoretical Journal of the HumanitiesÌý23 (2018), pp. 3-19Ìý

‘R. S. Thomas’s Poetics of Insomnia,’ÌýEssays in Criticism 68 (2018), pp. 74–107

‘The Politics of the Visor: Looking at Buildings Looking at Us,ÌýCITY: Analysis of urban trends, culture, theory, policy, action, 22 (2018), pp. 1-15

‘Modernism and the Urban Imaginary: Spectacle and Introspection,’ inÌýThe Cambridge History of Modernism, ed. Vincent Sherry (Cambridge: Cambridge University Press, 2017), pp. 220-34

‘Stumbling in the Dark: Ray Bradbury’s Pedestrian and the Politics of the Night,’ Critical Quarterly 57 (2015), pp. 71-88

‘Urban Convalescence in Lamb, Poe and Baudelaire,’ in Transatlantic Romanticism: British and American Art and Literature, 1790-1860, ed. Andrew Hemingway and Allan Wallach (Amherst, MA: University of Massachusetts Press, 2015), pp. 67-80

‘The Bourne Identity: On Utopian Psychopathology,’ in The Good Place: Comparative Perspectives on Utopia, ed. Florian Mussgnug and Matthew Reza (Bern: Peter Lang, 2014), pp. 53-68

‘The Spectre of Utopia: On Marxism and the Future,’ in Marxism and the Future, ed. Wang Jie (Shanghai: CCTP, 2014), pp. 124-35

‘Imagining the End Times: Ideology, the Contemporary Disaster Movie, Contagion,’ in Zizek and Media Studies: A Reader, ed. Matthew Flisfeder and Louis-Paul Willis (New York: Palgrave Macmillan, 2014), pp. 79-89

‘In the Beginning was the Big Toe: Bataille, Base Materialism, Bipedalism,’ Textual Practice 29 (2014), pp. 869-83

‘A Communion of Just Men Made Perfect: Pater, Romantic Anti-Capitalism and the Paris Commune,’ in Renew Marxist Art History, ed. Warren Carter, Barnaby Haran and Frederic J. Schwarz (London: Art Books, 2013), pp. 94-106

‘The Knight Errant in the Street: Chesterton, Childe Roland and the City,’ in G.K. Chesterton, London and Modernity, ed. Matthew Beaumont and Matthew Ingleby (London: Bloomsbury, 2013), pp. 93-112

‘The Mystery of Master Humphrey: Dickens, Nightwalking andÌýThe Old Curiosity Shop,’ Review of English StudiesÌý65 (2013), pp. 118-36

'Beginnings, Endings, Births, Deaths: Sterne, Dickens andÌýBleak House', Textual PracticeÌý26 (2012), pp. 1-21

‘Looking Backward,’ in Utopian Moments: Reading Utopian Texts, ed. J.C. Davis and Miguel A. Ramiro Aviles (London: Bloomsbury Academic, 2012), pp. 120-26