Ecstatic Truth: Truth of Matter: process and perception in expanded animation practice - University of Westminster image, Dryden Goodwin, 2019 Home News Free the Pussy! - Summerhall, Edinburgh Posted 2018/06/19 Hayley Newman and her band, The Gluts, are taking part in Summerhall, 1 Summerhall, Edinburgh EH9 1PL, 2 August 2018 - 23 September 2018. See . How do you feel? / The Financial Times series, Sophie Bouvier Ausländer, 2020, gouache on waxed newspaper, 66 x 53 cm Private collection, New-York, US A Foot, Johnny Izatt-Lowry, 2021, pencil on paper ©the artist Brine Lake (A New Body), Shen Xin, 2020, film (still) ©the artist Undercover 2 (detail), Phyllida Barlow, 2020, timber, plywood, cement, scrim, plaster, polyurethane foam, paint, PVA, calico, steel. Dimensions variable © Phyllida Barlow Courtesy the artist and Mori Art Museum, Tokyo Photo: Furukawa Yuya Stephenie Bergman - The Studio, Taroudant, Morocco - Folkestone Triennial Poster, 2021 Art, Access & Agency conference poster, 2021 Art, Access & Agency conference in Pretoria Flyer: Alvaro Barrington: Spider the Pig, Pig the Spider, Alvaro Barrington, 2021 Poster for Utopias and Efforts, Francisco RodrÃguez, 2018 MAC / Museo de Arte Contemporáne, Chile You are variations, version 08 - Theater Na OrlÃ, Brno, Christina Della Giustina, 2018 Poster for event, 21 October 2018, Brno, Czech Republic Poster for Emily at Sao Roque, 2018 Arte Util (Useful Art) image, 2018 Feu Follet - The Crypt, St. John’s, Waterloo flyer, Liz Rideal, 2018 Dana Ariel poster, 2018 MadeAtÏã¸ÛÁùºÏ²Ê Podcast, Deborah Padfield, 2021 (De)figured - Royal Society of Sculptors, Nathaniel Rackowe and Angela Woodhouse You're Mulchy Green, You're Verdant Matter - Slade School of Fine Art, Rhona Eve Clews and Lea Collet In Hands, Sophie Bouvier Ausländer, 2019, fired clay, 2 x 6.5 cm A Friend's Rendezvous - Dilston Gallery, 2019 The clay-veined girl holds trem-bling skin (me as a retort), Sof’ya Shpurova, 2019, oil on canvas © Sof'ya Shpurova Flap Clappers, Hayley Newman, 2019, watercolour on paper, 14.8 x 21 cm, detail courtesy of the artist and Matt's Gallery, London The clay-veined girl holds trem-bling skin (me as a retort), Sof’ya Shpurova, 2019, oil on canvas Palais de Justice, Carey Young, 2017 Shah-Savar (a good rider)., Ali Kazim, pigment on wasli paper, 72cm x 108 cm TEETH, Jennifer Martin, 2019