ϲ

Slade School of Fine Art
Slade Interim Show 2022

MA/MFA Interim Show
Open to the public 6 - 11 October
Weekdays: 9:30am - 8:30pm
Weekend: 9:30am - 6:30pm

  1. “who are they now?”, Chaney Manshu Diao, 20 Sept 2022, mixed media, text, installation, 35cm (W) x 120cm (L) x 180 cm (H)

    ©the artist

    Chaney Manshu Diao

    Previous Next
  2. untitled, Andy Wyatt, installation

    ©the artist

    Andy Wyatt

    Previous Next
  3. Paper Icon, C PANNELL, 2022, copy paper, wax, 

    ©the artist

    C PANNELL

    Previous Next
  4. Dinosaur Colour Chart 1993, Chika Annen, March 2022, print

    The chart shows sampling colours of dinosaurs from magazines, “Dinosaur!”, published in 1993. 
    The visual representation of dinosaurs and their association with cultural/social demands surrounding science have changed over time. Dinosaurs are very particular beings; The evidence of their existence is mere remains and have never been seen as living creatures during human history. Due to their monstrous nature, we are familiarised with their unimaginable appearances, but our impression of these dinosaurs demonstrates the contemporary romanticisation of mythical creatures.

    ©the artist

    Chika Annen

    Previous Next
  5. Marey's Chronograms, Anna Sebastian, graphite on paper, 140 x 130 cm 

    ©the artist

    Anna Sebastian

    Previous Next
  6. Door Ajar, Frederika Dalwood, April 2022, digital collage, 60 x 80 cm

    ©the artist

    Frederika Dalwood

    Previous Next
  7. Lack of Presence, Camilo Parra, 2022, charcoal on paper, 75  x 75 cm

    ©the artist

    Camillo Parra

    Previous Next
  8. Untitled, George Richardson, 2022

    ©the artist

    George Richardson

    Previous Next
  9. EGO DEATH, Christina Cushing, 2022, C-type print,  60 cm × 84 cm

    ©the artist

    Christina Cushing

    Previous Next
  10. Primal, Cheuk Yiu Lo, 2022, cement, wood, PVA, 38 x 44 x 140 cm

    ©the artist

    Cheuk Yiu Lo

    Previous Next
  11. Pores, Corrine Chan, 2021/22, animation, 5:58 mins

    ©the artist

    Corrine Chan

    Previous Next
  12. Odradek 04 (Wearable translation device), Federico Arani, 2022, ceramics, prosthetic gelatin, medieval metal artifacts, fabric, brass, rubber.

    A part of a harness with unclear function and composition, halfway between prosthesis and extension, is left inside the space. A device clearly disconnected from its original time and location, is filled only with its hypothetical potential.

    ©the artist

    Federico Arani

    Previous Next
  13. Father Flying, Akshay Bhoan, 2022, clay and acrylic

    ©the artist

    Akshay Bhoan

    Previous Next
  14. How To Fit In, Eva Bachmann, 2022, (installation) digital photography, household objects, 2.5 m x 3 m

    How to Fit In installation refers to resourceful ways when trying to adapt as an outsider.

    ©the artist

    Eva Bachmann

    Previous Next
  15. untitled (fleeting though), Gabrielle Bejani, 2022, collage on napkin, 30.5 x 32 cm

    ©the artist

    Gabrielle Bejani

    Previous Next
  16. thinking about art when the world is burning, blithe germ, 2022, plant matter, rocks, paper, screen print on rag, and recovered waste materials

    ©the artist

    blithe germ

    Previous Next
  17. Woman with child, Antonia Caicedo Holguin, 2022, oil on canvas, 82 x 81 cm

    ©the artist

    Antonia Caicedo Holguin

    Previous Next
  18. Untitled, Claudia Rose, 2022, various made and found objects. Site specific, dimensions variable

    A warm hum from somewhere to be far away

    ©the artist

    Claudia Rose

    Previous Next
  19. Holding behind the curtain, Georgia Dymock, 2022, oil on linen, 90 x 90 cm

    ©the artist

    Georgia Dymock

    Previous Next
  20. Skin Flicks, Billy Sassi, 2022, 4K digital video

    ©the artist

    Billy Sassi

    Previous Next